everything is narrative

March 21, 2015 1 comment

from the Quietus interview with Ales Kot:

If everything is narrative – and your comics tend to bleed profusely into reality, making the line between fiction and reality a porous border – do you ever encounter the Grant Morrison mythos quality of seeing your fictions and characters embodied in the real world around you?

AK: Profoundly so, yes, in all manner of ways. The fictions we create are incredibly powerful. I have a quote on the wall – well, I have a few, some my own encouragements and reminders, and then a few by people who are not-me (but really where is the line between our identities? I find it might be just as fluid as the line between reality and fiction…) – such as Christian Wolff, Susan Sontag and… William S. Burroughs. Burroughs is also a part of the Zero narrative. Issue #15, the first issue to be a part of the fourth collection, expounds on this a bit, as you will see if you keep reading.

The Burroughs quote is this one:

“It is to be remembered that all art is magical in origin – music, sculpture, writing, painting – and by magical I mean intended to produce very definite results. Paintings were originally formulae to make what is painted happen. Art is not an end in itself, any more than Einstein’s matter-into-energy formulae is an end in itself. Like all formulae, art was originally FUNCTIONAL, intended to make things happen, the way an atom bomb happens from Einstein’s formulae.”

I believe this.

Categories: metafiction

terrifyingly easy to distort reality

March 21, 2015 Leave a comment

shout out to blog In Search of Logic for link love in post “The Ordinary Web of Lies”. Some very well organized and eloquent thinking about philosophical topics – something I’m not too used to seeing, it is a breath of fresh air.

Social reality is a labyrinth of mirrors reflecting each other. All the light ultimately comes from outside the maze, but the mirrors can distort it any way they like. The ordinary web of lies is my personal term for this. Many people will think of religion, but it goes far beyond this. When society decides a particular group is the enemy, they become the enemy. When society deems words or concepts uncouth, they are uncouth. I call these lies, but it’s not what we ordinarily mean by dishonest. It’s terrifyingly easy to distort reality. Even one person, alone, will tend to pick and choose observations in a self-serving way. When we get together in groups, we have to play the game: selecting facts to use as social affirmations or condemnations, selecting arguments to create consensus… it’s all quite normal.

This all has to do with the concept of hyperstition (see Lemurian Time War) and hyperreality. Hyperstition refers to superstition which makes itself real. Hyperreality refers to our inability to distinguish certain fictions from reality, and the way in which our fictional, constructed world tends to take primacy over the physical world. Umberto Eco illustrates this nicely in his book Focault’s Pendulum, which warns of the deadly danger in these effects.

Categories: hyperstition

forgeries of themselves

September 28, 2014 Leave a comment

from Philp K. Dick, How to Build a Universe That Doesn’t Fall Apart Two Days Later

Fake realities will create fake humans. Or, fake humans will generate fake realities and then sell them to other humans, turning them, eventually, into forgeries of themselves. So we wind up with fake humans inventing fake realities and then peddling them to other fake humans. It is just a very large version of Disneyland. You can have the Pirate Ride or the Lincoln Simulacrum or Mr. Toad’s Wild Ride—you can have all of them, but none is true.

Categories: Uncategorized

Everything, basically

September 27, 2014 Leave a comment

from here:

What was fake on the Internet this week: Everything, basically

this week’s installment of a regular weekly feature; past installments here:

from The Emma Watson nude photos hoax shames our ‘news’ culture

The internet is eating itself.

But there is a broader problem at stake here: the global news agenda is now regularly held hostage by small bands of loud but tech-savvy idiots.

Categories: Uncategorized

Anachronic Annexation

August 29, 2014 Leave a comment

Hat tip to Xenopraxis for a comment made on this post, Anticipatory Plagiarism, pointing towards a bit on his blog, Anachronic Annexation:

Bayard employs Borges’ Kafka and his Precursors as a heuristic to explicitate the potency of creeping retrospective influence. By selecting seven fragments whose filiation with Kafka is not immediately evident (and resolutely opaque in a few cases), Borges de facto requires the reader to project relations, actualizing these aborted virtualities, an effort which simultaneously and acutely foregrounds these machinations (which are always to some degree) in operation. The fact of Kafka’s appearance in chronological history induces into adjacency previously anonymous communities of elements, irresistibly converging on his person (Borges: “each writer invents his own precursors”); a nebulous field of discrepancies puncutally aligned in resonant sympathy through the magnetic pull of an alien fulcrum, a force extrinsic to the field. (Such as the historian, writing history). The potential of such revalencing operations cannot be understated—hyperstition, in its function as coincidence intensifier, is just that reconfiguring spanner. (Land: “And once it’s real, in a sense, it’s always been.”) The question then becomes tactically oriented: how to amplify, let alone identify anemic signals? One can imagine engaging in steganographically hypersensitive readings of present-day texts in order to ferret out harbingers via stylistic inconsistencies and awkward formulations. Discrepancies which force reading out of a consistent frame of reference, slowing it down, actually provide annunciatory c(l)ues, signals from the future pinging into the past, installing stealthily concealed precursors available to those attuned to technics, the minutiae of material organization and deployment. New ideas, indistinguishable from glitches in the present order (if they are even detectable), belong to the future in that their implications remain to be tested, acted upon deliberately. Can the efforts of the projective reader be outsourced into a synthetic construct which performs autonomous revalencing without the need for a bloated discursive apparatus? What lever, what dispositions, what connections? The name Kafka (and its adjective kafkaesque) already loads the bases, preemptively vectorizing any entity it comes into contact with, with no need for further specification, the hijacking complete. (To this effect, the subject of the next post will be the aptly-named Bayard Operators, coined by phonomagus and philosopher Lendl Barcelos specifically in relation to listening: “anethical operation(s) that can be enacted within a sonic locale in order to provoke as-yet-unheard valences or even reinforce already present vectors…thus breed(ing) novel potentialities since alternate realities (pasts, future-pasts, presents, past-futures, and so on) can force themselves out…”).

Xenopraxis’ blog is here: The Occulture with twitter feed here: twitter.com/xenopraxis. Will be bookmarking and perusing, especially since he is covering some ground I think I had not ever gotten around to discussing here – namely, the sonic component of all this stuff.

Categories: Uncategorized

When the legend becomes fact, print the legend.

The Man Who Shot Liberty Valance

Categories: Uncategorized

from A Neoist Research Project

March 17, 2014 Leave a comment

excerpts from A Neoist Research Project:

In case you were not aware of it before, the texts reprinted here are variations of other, pre‐existing texts. In Neoism, there are various formulas for perpetually deriving new texts from existing Neoist writings.

Neoist writing explains the qualities and gradual reduction of of Monty Cantsin’s multiplicity, and the relation of all things to Neoism. The intention is to manipulate reality through the name of Monty Cantsin. This name is not regarded as merely a token, but as something alive, so that everything done in the name of Monty Cantsin will manipulate reality.

Early Neoist writings were highly metaphorical and rich with inside jokes. Later, these meanings were lost, and the texts were taken for face value. Since they obviously had to mean something, people began to make wild guesses and speculations about Neoism. Neoism’s great promise to manipulate anything through the power of its names, and the sublime tone of its proclamations, still has great impact on people who are easy to impress.

(a) replace an arbitrary number of words with their opposite meaning.

(b) the text will still tell the same.

(c) apply to this formula.


Let us assume, as a point of beginning, that even the remotest of us relates to experience through some aspect of the habitual philosophical beliefs that characterize the civilisation in which this presentation takes place. That these beliefs are eclectic and inconsistent is not important, what is important is that we can identify them as part of this civilisation, and that we make constant use of some of them. It is not important to determine whether or not these beliefs are “true” in an objective sense, since clearly their function is to be used to create a sense of “reality”, and not to be verified. The most didactic ideological projection to the simplest use of propositional thinking (for instance “I am swimming”) contains the arbitrary and deterministic map of our civilisation. These beliefs, this “swimming”, form an impenetrable field that traces around and separates us from experience outside the realm of beliefs in general. That certain obviously false beliefs, such as beliefs in so‐called “absolute” truth, can be deconstructed is deceptive since the process of deconstruction is taking place within the structure of cognitive consciousness as it is dictated by the languages, cultural patterns, and identity formations of contemporary civilisation. Thus, refusing to believe in specific commonly‐held opinions, such as the value of capitalist social relations, or belief in metaphysical abstractions, including those presented in this text, is ultimately a reformist measure which serves only to disarm the real and total opposition to beliefs in general. This opposition, since it aims to undermine the language, cultural history and identity formation of present reality is naturally difficult, if not almost impossible, to articulate within existing contexts. It is an orientation against and outside beliefs and consequently not compatible with the language or concepts that are used to describe things in terms of them, such as propositional language. That is by no means to suggest that this orientation does not exist, or is valueless, since its value clearly relates to the throwing off of the repressive aspects of consciousness, such as the ability or lack of ability to perceive paradox. In order to explain fully what I mean, I will use as an example a science fiction story about an alien civilisation consisting of two humanoid entities. In order to talk about the entities, I will give a brief description of the cultural, linguistic and identity characteristics common to them. The two entities occupy the same general area of space but are physically unable to perceive one another, to interact or to communicate in any way. Despite this, both are speculatively aware of the other’s existence through “memories” of a cultural history learned through direct experience with certain cultural artifacts. Both entities consequently have a developed and identical language and culture despite their non‐communication. This commonality constitutes their social relation entirely, being absolute. The aliens have a language that is significantly different from ours in that it does not contain reference to objects or situations, and has, of course, no communicative value. The language is best visualised as a moving spiral of operational symbols floating free in space, with the symbols constituting a level of purely structural, “non‐referential”*, mental activity. The holes between the symbols, which are gaps in the structural activity, provide space for penetration by material from “above” or “below” as they rotate. The material “above” the spiral is incoming information from the alien’s senses, for instance, sight or touch. The material from “below” is non‐sensory data, best understood as “imaginary” visions and fantastic images. This, in short, is the language of the alien culture, which constitutes part of each alien’s conscious relations with the world. The language is not spoken, but is notated at arbitrary intervals to preserve itself as a structural/cultural model for the next generation. The method for this notation involves particular use of sound and light in a physical approximation of the structure. The memory of this method of notation is the only referential aspect of the language, and it is essentially perceived by the aliens as a kind of intuition. The aliens perceive the sensory and imaginary information sensations during the pauses in their “non‐referential” mental activity, but are not concerned with differentiating between them as real or imagined. They have no memory of past time as we understand it, except for an intuitive sense of the other’s existence and the methods of cultural notation. As I have stated, this memory roughly constitutes the identity formation of the civilisation. Incidentally, the identities of the aliens have no bearing on the “imaginary vision” aspect of the language. The “imaginary visions” are as arbitrary and unconnected to the alien as are his/her “real” sensory experiences. Both the aliens occupy a space that is similar to our cultural vision of the Garden Of Eden. The plot of this very dry and technical example thickens when, for reasons entirely conflicting with our logic system, and with the logic of the civilisation I have just described, one of the aliens decides to stop using the spiral that constitutes the “non‐referential” and structural aspect of his/her language. This proves very difficult, as it is entirely without precedent in the civilisation, and physically impossible. Eventually the spiral ceases to exist and the alien’s sensory experiences and imaginary visions intermingle without interruption of any kind. Suddenly the alien becomes experientially conscious of the only other member of the civilisation, who remains oblivious to him/her. The alien attempts to communicate with the other, but s/he is unable to perceive him/her. The alien “intuitively” decides to use the artifacts and methods of notations from the civilisation to communicate his/her existence to the other, but is ultimately unsure of the success of the project, since without memory s/he is unclear as to his/her placement in time. What I suggest is that this scenario is not fictional, but instead a literal analysis of our civilisation, including its inconsistencies.

*That is, not referring to any concept of other formation outside its own system.

Proletarian Posturing and the Strike which Never Ends
‘Censorship is a more populist form of subjectivity than imagination because it does not require the construction of alternative (“imagined”) possibilities, only familiarity with existing ones.’ (CENSORSHIP LEAFLET)

For some time now, there has been a momentum of dissident culture, strengthened by conformity, and organized around a series of attacks on various subjects. The “material” side of this process has been the creation of events and materials which transmit, in a relatively conventional manner, a collection of attitudes towards various aspects of dominant culture. These attitudes can be simplistically summed up as distaste for work, production, originality, “high” and “low” culture, and received identities. These elements of social relations are added to the usual list of exploitations in capitalist society. A variety of experiments have been proposed to investigate the negations of these “abstractions.” “Multiple names,” anonymity and explicit plagiarism have been used to undermine the idea of identity or ownership in culture. At the same time, participants have been hell‐bent on historicizing themselves and their activities, partially in order to insert these discourses into mainstream politics and culture, and perhaps also for reasons which are more unpleasantly in contradiction with their stated aims.
Throughout much of these ideas loomed “abstract” questions of power, even at the level of event organization. In a very obvious way, “activists” were structuring events and language to give weight to a programmatic agenda of ideas. At the same time, there was considerable dissent as to what those ideas consisted of. In partial response to this ironic crisis, a participant from the London Festival organized a Festival of Censorship in Baltimore, during which participants would make presentations in support of censorship and against the idea of the sanctity of information or expression. Support of Censorship logically followed a critical understanding of questions of autonomy and power in culture. In the same way that explicit plagiarism undermined the distinction between production and consumption, explicit censorship attacked the distinction between the creation and destruction of possibilities. The Festival was short and poorly attended, and again, only a few of the participants completely supported its ideological bent. Many of the events were advertised but did not occur. The “value” of either festival was primarily “academic”‐‐feeding discussion around various issues rather than creating militant engagement.